La noche escondida
1.QUIERES VOLAR (Soleá por Bulerías)
con Bernardo Parrilla y Yelsy Heredia. 2. EN TI (Tangos) con Marcos Salazar 3. FANDANGO DE GLORIA(Fandango) con The Outsider. 4. IDENTIDAD (Soleá) con Jorge Pardo y Dj Est 5. SON LUNAR ( Rumba) con Jorge Pardo y DJ Est 6. BULERÍA BUÑUEL (Bulería) con Juanito Say y Manuel Gago 7. ELECTROLÉ (Tanguillos) con Bernardo Parrilla,Vlad Zapu y Dj Jhomp 8. TU VERDAD (Seguiriya) con Leo Treviño 9. LA NOCHE ESCONDIDA con The Outsider y Fernando Hurtado. 10. SIEMPRE con Cuco Pérez |
Recording: Cruceta Flamenco Studio, MPIRESTUDIO Y ESMUVA estudio. Music Production: Mariano Cruceta. Recording engineer and premix: Javier Godino. Premix theme La Noche Escondida: Michel Manzano. Mixing studio: MIRADORSOUND, Alvaro Mata. Sound and mixing: Sergio Delgado. Mastering studio: MPIRESTUDIO, Javier Ustara. Mastering: Javier Ustara. |
Recently the technical means have allowed us to discover many more planets spinning around the sun: our light.
It didn't take more than a century since the implementation of that environment, which would be artificial later. Only the sound, for example the human voice, remains, unscathed, although tinged since the time of the caves, for millions of years.
Flamenco, as a human message -which could be called wavering life - has taken part in the entire historical legacy, from its primeval days, and it is able to reborn in order to discover its own antipodes.
Light and darkness, illuminist challenge of creation to meet the overflow of electrotechnics. The noisy days conspire with the mysterious solitude of the night.
It consists on a renewed profile which does not lose its character: mourning and celebration. This will endure what mankind will endure; ill as the triumphant but cornered animal that we are.
Let's revive something which has been printed in our hearts; but as surprising as the passage of time and eternally moving. A song, a lament, the consequence of wanting to know what we already know; it has to be explained, again and again, to find true enlightenment in the depths of darkness without limits.
I pointlessly searched you during the day and finally I have not encountered you, but at night my dreams led me to you. That is La Noche Escondida from Electrolé: the unveiling of a mystery that times have named after a cry.
Vícto M. Burell
It didn't take more than a century since the implementation of that environment, which would be artificial later. Only the sound, for example the human voice, remains, unscathed, although tinged since the time of the caves, for millions of years.
Flamenco, as a human message -which could be called wavering life - has taken part in the entire historical legacy, from its primeval days, and it is able to reborn in order to discover its own antipodes.
Light and darkness, illuminist challenge of creation to meet the overflow of electrotechnics. The noisy days conspire with the mysterious solitude of the night.
It consists on a renewed profile which does not lose its character: mourning and celebration. This will endure what mankind will endure; ill as the triumphant but cornered animal that we are.
Let's revive something which has been printed in our hearts; but as surprising as the passage of time and eternally moving. A song, a lament, the consequence of wanting to know what we already know; it has to be explained, again and again, to find true enlightenment in the depths of darkness without limits.
I pointlessly searched you during the day and finally I have not encountered you, but at night my dreams led me to you. That is La Noche Escondida from Electrolé: the unveiling of a mystery that times have named after a cry.
Vícto M. Burell
A music production directed and performed by Mariano Cruceta